Bird's‐Eye Views of the Musical Surface: Methods for Systematic Pitch‐Class Set Analysis

Bird's‐Eye Views of the Musical Surface: Methods for Systematic Pitch‐Class Set Analysis

Source :

• Music Analysis [ 0262-5245 ] ; 2007-03.

English descriptors

• Teeft :
  • Allegro, Allegro molto, Analytical apparatus, Analytical example, Analytical method, Analytical results, Array range, Atte, Atte tenkanen, Average characteristics, Average contents, Bach, Bach chorale, Bach example, Bass note, Bias vector, Bias vectors, Blackwell, Blackwell publishing, Brandenburg concerto, Cambridge university press, Cardinality, Cardinality correction, Centroid, Certain aspects, Chord, Chromatic clusters, Chromaticism, Cognition, Comparison curves, Comparison function, Comparison sets, Comparison values, Compilation, Complete heptad, Compositional, Compositional grammar, Compositional styles, Computer music journal, Consecutive intervals, Constituent sets, Contextual juxtaposition, Contextualisation, Continuous measurements, Corresponding entries, Debussy, Debussy example, Detector, Detector graph, Detector graphs, Detector measurements, Detector metaphor, Determinate segmentation, Determinate segmentational interpretation, Diatonic, Diatonic curve, Diatonic detector, Diatonic heptachord, Diatonic heptad, Diatonic hierarchy, Diatonic scale, Diatonicism, Different comparison sets, Different pitch classes, Different sets, Distinct pitch classes, Easier reference, Erkki, Erkki huovinen, Evenness, Event list, Experimental music psychology, Familiar comparison, Genug, Global level, Gradual process, Gure, Harmonic, Haydn variations, Heptachordal, Heptachordal segmentation, Heptachordal tail segmentation, Heptachordal tail segments, Heptad, Hexachordal, Hexachordal tail segmentation, Hexachordal tail segments, Hexachords, Historical process, Huovinen, Icvs, Icvsim, Icvsim relation, Important pitch sets, Index number, Individual note, Individual notes, Individual tail segments, Interval class, Interval classes, Intervallic, Intervallic properties, Journal compilation, Krumhansl, Kyrie, Large number, Larger sections, Latter part, Local content, Local level, Local prolongation, Lowest note, Major triad, Maximal evenness, Melodic intervals, Micbv, Micpv, Micpv values, Micv, Micv values, Midi list, Minor triad, Missa papae marcelli, Mozart example, Music analysis, Music theory, Music theory spectrum, Musical context, Musical material, Musical meaning, Musical segments, Musical style, Musical styles, Musical surface, Musical syntax, Musical units, Musical work, Musical works, Negative bias, Negative biases, Negative weights, Numerical value, Numerical values, Octatonic, Octatonic comparison, Octatonic context, Octatonic materials, Octatonic scale, Opening movement, Other hand, Other interval classes, Other measurements, Other tetrachords, Other words, Overall micv, Oxford university press, Palestrina, Palestrina example, Pentachordal, Pentachordal tail segmentation, Pentachords, Percentage vector, Pertinent aspects, Pierrot lunaire, Pigraphes antiques, Pitch class, Pitch classes, Pitch material, Pitch materials, Pitch organisation, Pivotal note, Preference values, Preliminary example, Present context, Present methods, Previous section, Previous stravinsky example, Principal subdivisions, Prolongation, Prolongational, Psalms, Psalms analysis, Publishing, Quantitative analysis, Quantitative approach, Quantitative measurement, Quantitative prominence, Quantitative results, Referential, Referential chord, Referential chords, Referential contextualisation, Referential sets, Referentiality, Rehearsal number, Rehearsal numbers, Relational, Relational properties, Relative diatonicism, Relative merits, Same time, Schoenberg, Sechs kleine, Segment, Segmentation, Segmentational interpretation, Several bars, Sibelius academy, Similarity, Similarity measure, Similarity measures, Similarity relations, Simple example, Simple weighting vectors, Stability curve, Stability values, Standard deviation, Standard deviations, Statistical analysis, Statistical viewpoint, Stravinsky analyses, Stravinsky analysis, Structural levels, Subset, Subset vector, Successive note, Such claims, Such methods, Such relationships, Such techniques, Surface level, Surface overviews, Surface phenomena, Surface prominence, Tail, Tail segment, Tail segmentation, Tail segments, Temporal development, Tenkanen, Tetrachordal tail segmentation, Tetrachords, Third chord, Third section, Tonal axis, Tonal music, Tonal stability, Tone system, Transpositional levels, Triad, Usual sense, Vector, Vertical scale, Weighting, Weighting vector, Weighting vectors, Western music, Wide variety, Wider dispersion, Yale university press.

Abstract

• https://api.istex.fr/document/5BD1290177BA49469E6AF1777AF97ED63BE60574/fulltext/pdf

Affiliations:

• Finlande

Links toward previous steps (curation, corpus...)

• to stream Istex, to step Corpus: 000577
• to stream Istex, to step Curation: 000577
• to stream Istex, to step Checkpoint: 000309
• to stream Main, to step Merge: 000380
• to stream Main, to step Curation: 000380

Le document en format XML

Pour manipuler ce document sous Unix (Dilib)

EXPLOR_STEP=$WICRI_ROOT/Wicri/Musique/explor/DebussyV1/Data/Main/Exploration

HfdSelect -h $EXPLOR_STEP/biblio.hfd -nk 000380 | SxmlIndent | more

Ou

HfdSelect -h $EXPLOR_AREA/Data/Main/Exploration/biblio.hfd -nk 000380 | SxmlIndent | more

Pour mettre un lien sur cette page dans le réseau Wicri

{{Explor lien
   |wiki=    Wicri/Musique
   |area=    DebussyV1
   |flux=    Main
   |étape=   Exploration
   |type=    RBID
   |clé=     ISTEX:5BD1290177BA49469E6AF1777AF97ED63BE60574
   |texte=   Bird's‐Eye Views of the Musical Surface: Methods for Systematic Pitch‐Class Set Analysis
}}

This area was generated with Dilib version V0.6.33. Data generation: Tue Sep 25 16:34:07 2018. Site generation: Mon Mar 11 10:31:28 2024